Introduction
    
    It seems now more than ever the world is inundated with buzzwords and catch
    phrases. Watch any TV show or listen in on a business conference call, and
    you will hear terms being thrown about that sound impressive at first blush
    but lose any meaning upon closer examination.
	Convergence is one of those
    words that has been around for some time but has yet to resonate with me. It
    always seemed a bit empty until I heard that McIntosh, a company basking in
    the old world audio glow of tubes and Middle Age Teutonic lettering, had
    released of all things a music server. 
    
    With over 55 years entrenched in the realm of high-end audio, McIntosh is
    carefully dipping its toes into the ever expanding music server market. For
    a company as steeped in the tradition of audio's past, I was impressed with
    their foresight to release a product that embraces audio's future, which in
    my estimation is music on demand.
	Of course, I held out the hope that in this
    look to the future they would not forget the roots of their success, namely
    high performance, rock solid operation, and drop dead looks. With my interest
    piqued, I inquired about a review sample and was promptly rewarded with a
    well boxed package at my doorstep.
    
    A Computer in Hi-Fi Clothing
    
    While the MS300 façade owes its looks to the McIntosh designs of yore, the
    technology packed behind that glossy veneer is quite formidable. Unlike many
    of its competitors, which are essentially based on a modified PC
    architecture, the MS300's hardware package, in the words of the designer, is
    "custom designed around a set-top-box architecture specifically for this
    application."
	The application in this case is McIntosh's music server
    interface which is based on the VXworks operating system, albeit a modified
    version. Since the MS300 does not have a PC architecture, its specs are a bit
    different than what you would expect, but housed within the chassis lurks an
    IBM Power PC processor running at 266 MHz. Supporting the Power PC chip is
    64 MB of RAM running at 133 MHz.
	Audio is handled by what McIntosh calls a "24bit/96kHz high performance audio codec with switched capacitor filtering
    for low noise". All DSP is handled by a Texas Instruments chipset. As
    opposed to having a separate video card, the MS300's graphical user interface
    is integrated and displayed via the Power PC chipset. All data are stored on
    a Maxtor DiamondMax 10 300 GB parallel ATA drive.
    
    While these specs pale compared to what is currently available in the PC
    market, I never felt as if the system was overwhelmed. Tasks such as menu
    navigation, creation of playlists, and track retrieval were all handled in a
    timely manner. Since the OS/hardware was designed for this specific purpose,
    the MS300 operates well within its capabilities, so do not fall into the trap
    of spec envy.
    
    The back panel of the MS300 is well populated and accommodates nearly any
    connection scenario you could dream up. Since the quantity/type of
    connections would overwhelm this review, I will simply focus on the more
    interesting additions/omissions that separate the MS300 from the pack.
    
    
    Of note was the plethora of RS-232 ports, a total of
	four, the unit provides.
    Should the substantial 300 GB drive included be unable to hold your
    collection, McIntosh included the ability for the MS300 to control and manage
    up to three external CD mega-changers via three of the available ports. Be warned
    however, the MS300 favors brand loyalty, as all connected changers must be
    from the same manufacturer. When you consider the MS300 can hold between
    700-850 CDs losslessly, the addition of the changer control brings the
    potential music archive to a whopping 2050 albums bit for bit identical to
    the source. For those lucky few out there, the fourth port can be used to
    connect the MS300 to a Crestron or AMX control system. The thought of having
    my entire CD collection displayed and controlled via a 10" touch screen
    nearly brought a tear to my eye. I am just relieved our own Colin Miller did
    not conduct the review, as he would have been entranced by the control
    possibilities the MS300 offers.
	
	Click Here to Go to Part II.