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These two rose succulents have a mixture of burgundy and green. No problems.
Obviously, I used the Macro mode for the close-ups. It works very well.


Yellow does not always
appear to be a problem, as long as it is not too intense. This Yellow
Begonia is beautifully rendered. Even though the image stabilization
(ASR - Anti-Shake Reduction) is
active here, it does not totally remove the effects of my shaky hand. A
tripod would be in order for serious flower photo close-ups.

Depth of field is extremely
narrow when you get this close (Yellow Flowering Ginger).

Again, as long as the
flower color is not too intense, no problem, such as with this Pink
Dahlia.

It is funny to think back when I paid $1,000 for one of the first
digital cameras, which had only 640x480 resolution and took the photo as
interlaced images. Now, the cameras are 1/3 that price and just
incredible in quality. This ceramic blue bird looks like I can reach out
and touch it.

Shown here is a problem that all photo recording technologies have,
including digital sensors and film. This terra cotta sun has great
detail and exposure in the shadowed region, but the bright areas are
blown out. It's a difficulty with all cameras. I am hoping that digital
sensors can be programmed to reduce the voltage output in the bright
areas with situations
like this, so we can see the detail in the regions where there is direct
sunlight.

The batteries for digital cameras are really getting to be amazing. I
shot tons of photos and never had a problem with the blinking battery
indicator on the camera.
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IV.
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