For a few words about my
reviewing process and preferences, please see the introduction to
Classical Reviews # 36.
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JOHANN ROSENMÜLLER:
WEIHNACHTSHISTORIE CANTUS CÖLLN
HARMONIA MUNDI HMC 901861
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Born in Leipzig 66 years before J.S. Bach, Rosenmüller's career as a
composer was interrupted in 1655 when he had to flee the city after being
charged with pederasty. Dismissed from all his posts and imprisoned, he
eventually fled to Hamburg, then Venice, where he later renewed his career.
This CD, an approximation of an Italian-style Renaissance Christmas in
Leipzig, features Rosenmüller's beautiful sacred music for the holiday
season. With Konrad Junghänel conducting Cantus Cölln, one of our
pre-eminent early music ensembles, the minimally accompanied (violin,
violincello, organ) performances are exemplary.
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YELLOWJACKETS: PEACE ROUND, A
CHRISTMAS CELEBRATION HEADS UP HUCD 3090
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With two Grammy-nominated albums to their credit, jazz ensemble
Yellowjackets produces a winning disc distinguished by inventiveness and
good spirits. Featuring keyboardist and founding member Russell Ferrante
plus others on sax, bass and drums, these mild performances have a
delightful, homey feel. Enjoy the imaginative, spacey intro to Joseph Mohr's
arrangement of “Silent Night,” and the mellowness of it all.
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J.S. BACH: CHRISTMAS ORATORIO
AKADEMIE FÜR ALTE MUSIK BERLIN, RIAS-KAMMERCHOR, RENé JACOBS COND. ™
HARMONIA MUNDI HMX 2901630.31
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If you think Bach music can't be lively and joyful, check out this
re-release of René Jacob's well-recorded performance of the six cantatas
that comprise his wonderful Christmas Oratorio. Feast as well on the
120-page deluxe edition filled with gorgeous graphics, translations, and
erudite commentary. The superb soloists include a shining Andreas Scholl as
the Evangelist and star turns from Dorothea Röschmann (now at the Met),
Werner Güra and Klaus Häger. This wonderful performance deserves a place on
your shelf.
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A LEROY ANDERSON CHRISTMAS DECCA
B0003552-02
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What would an American Christmas be like without Arthur Fiedler and the
Boston Pops' classic rendition of Leroy Anderson's Sleigh Ride? As myth
reinforcing as a Norman Rockwell graphic, Harvard graduate Anderson's
delightful compositions and arrangements made him the American composer most
performed by American orchestras in 1953. In addition to Sleigh Ride, the
disc features Anderson conducting his three infectious Suites of Carols for
Brass Choir, String Orchestra, and Woodwind Ensemble, plus his joyful
medley, A Christmas Festival. The huge FBI anti-piracy warning dominating
half the label bespeaks the music's universal appeal.
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KING'S SINGERS CHRISTMAS SIGNUM
TWO SIGCD502
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The King's Singers – two countertenors, one tenor, two baritones, and one
bass – have been performing worldwide since they were founded in 1968 by six
choral scholars from King's College, Cambridge. Thanks to the striking
timbre of their countertenors and tenor, their sound remains unique. With
impeccable intonation and musicianship – their mastery of dynamics and color
is first class -- the ensemble delivers a thoroughly pleasing, heartfelt
program of traditional and modern carols (from Praetorius, J.S. Bach, and
the revered Anon. to Arvo Pärt, John Tavener, John Rutter, and Peter
Warlock). With only two tracks featuring accompaniment, we have over 70
minutes of their wonderful sound to revel in.
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TCHAIKOVSKY'S GREATEST HIT: THE
ULTIMATE NUTCRACKER BMG 82876-62821-2
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Although I could go on for days about BMG's choice to recycle their back
catalogue rather than recording anew, this disc has a lot going for it.
Eugene Ormandy's mono Philadelphia Orchestra rendition of Tchaikovsky's
sugar-coated family fantasy, written by the part of his psyche able to
transcend the torture of internalized homophobia, will do just fine for
those who play music in the background and don't focus on particulars. Fun
follows in the form of a droll complete Nutcracker suite played by the
unlikely Modern Mandolin Quartet. Delivery the ultimate spoof, Spike Jones
and the City Slickers crack the nut with decidedly square, mildly irreverent
but undeniably appealing whimsy. The First Piano Quartet's novel renditions
of the Dance of the Reed Flutes and Waltz of the Flowers cap the enjoyment.
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HEIDI GRANT MURPHY: THE GIFTS OF
CHRISTMAS KOCH-CD-7580
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Gifted soprano Grant Murphy especially radiant high on “I Wonder as I
Wander” cap a winning collection that balances traditional Christmas songs
with others by John Rutter, Max Reger, and Hugo Wolf. The soprano's lovely
voice, well supported by Kevin Murphy's piano, benefits from several original
arrangements by Richard Walters, including a standout version of “Silent
Night.” The absence of translations, and the occasional tendency to pour it on
thick where unaffected vocalism would prove ideal – Wolf's “Schlafendes
Jesuskind” drowns in syrup -- detract from an otherwise beautiful release.
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APOLLO'S FIRE: NOELS & CAROLS FROM
THE OLDE WORLD KOCH KIC CD 7582
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Jeannette Sorrell's Cleveland-based Baroque Orchestra has assembled an
adventurous program that mixes traditional European carols with vocal and
orchestral works by Biber, Charpentier, Purcell, and Cima. Alas, the
authentic-instrument performances are marred by close miking and strong
conducting that grants such works as the familiar “Il est né le divin
enfant” with an overly bright aggressiveness more suited for the chant,
“Christ is born, Get used to it!”
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CHRISTMAS WITH THE TRAPP FAMILY
SINGERS DEUTSCHE GRAMMOPHON B0003118-02
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Far more real than in The Sound of Music, the famous Trapp Family Singers
finally make their way to CD via historic mono recordings from the early
1950's. While the singing is faultless and unquestionably sincere, this
decidedly Old World a cappella program has a small-voiced, retro feel more
suited to the family's lodge in Stowe, VT than urban living rooms. Why the
bad edit at the start of “Hirten, wachet auf!”?
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A WINDHAM HILL CHRISTMAS WINDHAM
HILL 82876 64413 2
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THE VERY BEST OF CELTIC CHRISTMAS
WINDHAM HILL 82876 64626 2
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On A Windham Hill Christmas, the perpetual Windham Hill commissions 14 of
its most popular artists to produce just what you'd expect. Highlights are
Sean Harkness' “Christmas Time is Here,” the appealing variety of Tracy
Silverman's arrangement “O Holy Night,” Liz Story's quite interesting “Have
Yourself a Merry Little Christmas,” Steve Erquiaga's winning “Little Drummer
Boy,” Tim Story's lovely “The Holy and the Ivy,” the welcome fun of Philip
Aaberg's “The Compeat Nutracker Sweet,” and George Winston surprisingly
succeeding in making harmonicas sound like bagpipes. The remaining tracks
are mellow and mundane.
The Celtic Christmas compilation offers 19 tracks drawn from the six Windham
Hill CC volumes that have collectively sold over a million copies. Mostly
sticking to tried and true formulas, classical artists James Galway and
Benjamin Verdery join a host of folkier musicians to produce a most
appealing set.
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ANTON SCHWARZ: HOLIDAY TIME
AJ-1003 (available from
www.antonjazz.com)
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Bay Area tenor saxophonist Anton Schwartz joins with a jazz pianist,
bassist, and drummer to perform a short, lower priced set of five improvs on
classic Christmas melodies. Schwartz and crew occasionally sell out Yoshi's,
the Bay Area's premiere jazz club, but this disc does not suggest they're
ready for an international career. While the feeling is good-natured and
sometimes tongue-in-cheek, and the playing more than competent, the
improvisations themselves, which begin with fairly straight renditions of
the melody line, do not offer sufficient variety or inventiveness to elevate
them above the level of easy listening fare.
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MESSIAH REMIX CANTELOUPE CA21020
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The founders of New York's Bang on a Can have commissioned eleven well-known
trendy artists, some famed for their work in electronic and tape media, to
offer original sonic remixes of Messiah. Besides sounding overly bright and
grating, many of these computerized hits by Tod Machover, Charles Amirkhanian,
Phil Kline, Eve Beglarian and others are routine, even cynical, as though the
composers could care less about Handel's masterpiece. Laetitia Sonami's
“Overture on Ice” is among the most interesting contributions.
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HANDEL: MESSIAH ROBERT SHAW
RCA RED SEAL 82876-62317-2
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The only “new” complete Messiah to reach me this year is the first CD release
of the Robert Shaw Chorale and Orchestra's 1966 account. Given the harsh
string tone, Shaw's important step toward authenticity is most recommended for
its impeccable choral singing – note the estimable lightness of the sopranos
on “And He Shall Purify” -- and stellar solo contributions from the late
soprano Judith Raskin and classic English tenor Richard Lewis. Raskin is sui
generis, her special gifts hushed in their prime by cancer. Lewis delivers a
bounty of accents and shading, if not sumptuous tone. The alto is matronly,
the bass beautifully voiced but lacking requisite darkness. Not a first choice
for the average listener, but a must for collectors.
- Jason Victor Serinus
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