|
|

Click on Photo Above to See Larger
Version
|
|
Specifications:
●
Monoblock; 150 Watts RMS at 8 Ohms; 250
Watts RMS at 4 Ohms
●
XLR and RCA Inputs
●
FR: 20 Hz - 20 kHz ±
1 dB
●
THD: < 0.1%
●
Volume Control
●
Low Frequency Cutoff Filter (Switchable)
●
Auto-On or Manual Power-On
●
Size: 5.5" H x 5.5" W x 11.75" D
●
Weight: 14 Pounds
●
MSRP: $349.95 USA (Street Price $262)
AudioSource
www.phoenixgold.com | |
Introduction
AudioSource is a company that makes amplifiers for a lot of other
companies. They also make some that they sell through their own channels.
Many
of us have low cost surround sound receivers that don't supply a lot of
power. Often, they do have pre-outs for the various channels, and because
the center channel delivers most of the sound, an easy and inexpensive
upgrade would be a single channel power amplifier connected to the center
pre-out.
Unfortunately, typical outboard power amplifiers are stereo or
five-channels. Monoblocks usually are quite expensive, because the
majority of them are high-end products, such as tube monoblocks or high
powered units that are two heavy to be manufactured as more than one
channel.
The Design
Enter the AudioSource Amp 5.3. It is an ideal upgrade for the center
channel on that lightweight receiver because it supplies 150 watts into 8
Ohms (more than a typical small mass market receiver), it has its own volume control
that can account for any difference in sensitivity between itself and the
receiver's amplifiers, and it has a low frequency cutoff (below 100 Hz)
for use with small center channel speakers. It is also rated into 4 Ohms,
which just about every small mass market receiver is not.
This
particular model has XLR as well as RCA input jacks, auto turn-on
(senses input signal), and a phase inversion button. It is small and
modular, and is inexpensive (MSRP $349.95, street price on the Internet is
$262).
The
front panel has the on/off toggle, volume knob, low cut button, phase
button, and peak output indicator.
The
rear panel of the 5.3 has quite a number of features for an inexpensive monoblock. At
the top are the XLR and RCA input jacks, as well as a Line-Out/Thru RCA jack if
you wish to daisy chain several power amplifiers. There is a slider switch
for selecting Auto-on or Manual power-on. If you live in Europe, you can
use it by switching to 230 Volts. The AC socket is grounded with
detachable cord, and the speaker binding posts are good quality.

In Use
I
tested the 5.3 with our Theta Casablanca II, and the amplifier drove a
Monitor Audio Studio 20SE speaker as the center channel (8 Ohms). A Rotel
RMB-1095 power amplifier drove the remaining channels. I used the RCA
unbalanced input for listening and for the Bench Tests below.
The
Amp 5.3 had no problem handling the sound tracks that I threw at it,
including "Pearl Harbor", especially when I used bass management to
eliminate everything below 50 Hz in the center speaker. Most new
receivers, including the entry-level ones, have bass management, so I
would suggest using it to maximize the efficiency that the amplifier will
have in driving the speaker, especially since typical center speakers
don't have large drivers. There is no sense in delivering low frequencies
to a driver that can't move the air, but which will still eat up the
current anyway.
I
did not use the Low Cutoff button on the amplifier, because I was already
controlling the bass management from the Theta processor. Also, the
Monitor Audio speaker has a good response to 50 Hz, do I did not want to
cut it off at 100 Hz.
The
sound quality was smooth, and in general, a bit smoother than what you
find in the amplifier sections of small mass market receivers.
On the Bench
The
5.3 is rated at THD < 0.1%. Our tests showed slightly higher than that, at
0.17% when outputting 5 Volts into an 8 Ohm load.

At
full output into 8 Ohms (32.6 Volts was the maximum we could get, which
translates to 133 Watts RMS), distortion was within spec, but the power
output was a little below spec.

When
driving a 4 Ohm load, and just going into clipping, the Amp 5.3 delivered
31.5 Volts, which is 248 Watts, almost right on the specification.

IM
distortion, using 1 kHz and 1.5 kHz, was a very low 0.003%, at typical
power levels.

THD
for a 10 kHz sine wave input, was higher than spec, but still manageable.

The
frequency response of the Amp 5.3 rolls off below 50 Hz and above 10 kHz,
but is within spec of ± 1 dB from 20 Hz to 20
kHz.

Engaging the Low Cutoff button results in steep roll-off below 100 Hz.
This would be ideal for small speakers, but don't use both the bass
management in the receiver and the low cutoff button on the amplifier at
the same time.

Conclusions
For
those of you with small receivers who would like to get more "oomph" out
of your system without going to an outboard power amplifier for all
channels, the AudioSource Amp 5.3 is an easy and inexpensive solution, by
using it to drive the center channel. It is very flexible, and has all the
connections and features that you would ever need for this purpose.
- John E. Johnson, Jr. -
Terms and Conditions of Use

|