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The Secrets Blu-ray Player HDMI Benchmark - Part 2
Written by Secrets Senior Editors   
Tuesday, 02 August 2011 00:00
The Secrets Blu-ray Player HDMI Benchmark Follow up

Our first HDMI Benchmark article generated a lot of feedback and support from our readers, but also a lot of skepticism. (Read Part 1 of the HDMI Benchmark)

The most common thing we heard from skeptics was a form of “I can’t see a difference between players” or “Benchmark numbers don’t mean anything if you can’t see it in the real world”.

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TVs? We Don't Need no Stinking TVs - Third-Generation Multi-channel Audio - Part 3
Written by David A. Rich   
Tuesday, 28 June 2011 00:00
TVs? We don't need no Stinking TVs - Third-Generation Multichannel Audio - Part 3

It is useful to have the Blu-ray player read downloaded MP3, FLAC, and WAV files off a memory stick. If the player is well designed, the MP3 files should display information on the work and the performer on the TV screen. FLAC files encoded at sampling rates of 96kHz, or a sampling rate or 192kHz, should be bit-accurate at the both the S/PDIF or HDMI outputs. Be careful; many Blu-ray players do not support FLAC data files.

Most Blu-ray players USB ports will also work with Hard Drives. Another option on many Blu-ray players is to find music across a computer network if you establish an Ethernet connection for the Blu-ray player to your computer router. Special software must be resident on the computers. How to do this is way out of the scope of this article.

It is most important that your Blu-ray player should read MP3, FLAC or WAV files that are burned to DVD on a computer.......

See Sidebar: The Impracticality of Analog or DSD signal-transfer in multichannel

Tags: Audio | Audiophile | Blu ray | Multichannel

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TVs? We Don't Need no Stinking TVs - Third-Generation Multi-channel Audio - Part 2
Written by David A. Rich   
Tuesday, 21 June 2011 00:00
TVs? We don't need no Stinking TVs - Third-Generation Multichannel Audio - Part 2

It is not practical to connect your Universal Blu-ray Player to your AVR using an analog connection if you want to listen in multichannel. For similar reasons you should accept that the multichannel DSD data off an SACD is going to have to be transcoded at some point to LPCM. S/PDIF is also not a connection option in multichannel. Options you had in the stereo world are just not workable in the multichannel universe. All of this is explained in the Sidebar: What you need to know to be a multichannel Geek

So what features do we want in the Universal Blu-ray Players HDMI transmission system?

See Sidebar: What you need to know to be a multichannel Geek

Tags: Audio | Audiophile | Blu ray | Multichannel

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TVs? We Don't Need no Stinking TVs - Third Generation Multi-channel Audio - Part 1
Written by David A. Rich   
Wednesday, 15 June 2011 00:00
TVs? We don't need no Stinking TVs - Third Generation Multichannel Audio - Part 1

Conceptually, multichannel audio makes abundant sense. Practically, however, it has failed with a critical mass of listeners. Quadrasonic sound, circa 1971, was the first setback. While modern analysis of optimal multichannel reproduction now reveals the unfavorable placement of the rear channels, its primary undoing was the intractable challenge of lifting four high-quality discrete channels off a vinyl record.

Ten years ago, the industry tried again with optical disc media. A format war, coupled with the need for special equipment, resulted in little consumer interest, which was already a crowded space with the advent of home theater and portable MP3 players. The Blu-ray audio disc is the new promising third iteration owing to its seamless compatibility with home theater installations.

The audiophile and videophile have not merged into one species........This three-part series outlines the general concepts of an audiophile-friendly third-generation multichannel audio system.

Tags: Audio | Audiophile | multi-channel

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The Secrets Blu-ray Player HDMI Benchmark - Part I
Written by Chris Heinonen   
Tuesday, 24 May 2011 00:00
Blu-ray Player HDMI Benchmark Introduction

It's hard to believe that we are already into the second decade of the 21st Century, and now all future Blu-ray players will have to deliver their HD content digitally over HDMI only, with analog component video outputs limited to 480 lines of resolution (480p). Since all of the content will be transferred digitally to your display, this should result in perfect picture quality with no issues since “bits are bits”, right?  Unfortunately the reality is far more complex than this, and there are many factors that can come into play. This article is an introduction to the way we will be changing how we benchmark Blu-ray players, since we will be taking measurements of the digital signals through the HDMI output instead of analog data measurements through the component video outputs. There is a lot to discuss, so start reading now, and you won't be confused when we begin publishing Blu-ray Player Benchmark Reviews with our new methods shortly.

Tags: Benchmark | Blu ray

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CalMAN Calibration Bootcamp: A Crash Course in the Science of Calibration
Written by Mark Vignola   
Tuesday, 24 August 2010 00:00
SpectraCal Calibration Bootcamp: A Crash Course in the Science of Calibration

In May, 2010, Senior Editor Chris Heinonen and I published an article here on Secrets looking at some of the popular consumer targeted video calibration software options. We tried the free HCFR program as well as the incredibly popular CalMAN platform marketed by SpectraCal, and a new entry, ChromaPure.

Tags: Calibration | HDTV

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Alice in Wonderland: The Theater Movie as Seen with IMAX 3D vs. Dolby 3D
Written by Cory Potts   
Thursday, 08 April 2010 00:00

alice-in-wonderland-3d-poster-smallI recently had the pleasure of catching this movie in IMAX 3D, and then later in Dolby 3D.  I have not seen this film in a regular theater setting, but then the “buzz” around this film is all about the 3D.  One of our SECRETS team has commented on the current film along with his review of the vintage Alice films in the April, 2010 Movie Reviews.

Tags: 3D Movies | Dolby 3D | IMAX 3-D

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Audio/Video Cables: The Science and the Insanity
Written by John E. Johnson, Jr.   
Thursday, 18 February 2010 00:00

cable-feature-article-teaserOver the past several years, I noticed that some A/V cable companies have expanded their lines to include interconnects and speaker cables that cost in the thousands, no make that tens of thousands, of dollars. You can actually spend about $25,000 on one pair of speaker cables about 5 meters in length. For that same amount of money, you can purchase a Blu-ray player, top notch receiver, full set of 7.1 speakers, good subwoofer, 1080p projector, a projection screen, and all the A/V cables you need to connect them - in other words, a complete home theater system. For myself, I find it insulting that a company would think we consider that the same amount of engineering research and development costs, along with the manufacturing costs, are comparable between such a set of speaker cables, and a full set of home theater components. So, we are going to start taking a look at the engineering and science behind cable design, and the costs. It will be an on-going article, like the Vinyl vs. CD series that we started publishing a while back. You will be free to express your opinions in the commenting section at the end of the article.

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NAIM Audio Recap Tour
Written by Rick Schmidt   
Monday, 02 November 2009 00:00

McCormack LD-2 and DNA-250In my recent review of the Primaluna Dialogue Two I complained that tubes require maintenance. I didn’t complain much as Primaluna does a great job of minimizing those requirements. I should have held my complaint for my solid state gear. That’s right, even power supplies require maintenance. That’s the message that Naim is sending out with their Recap Tour. That’s ‘Recap’ as in ‘Replace the Capacitors’.

 

Tags: DACs | Power Supply

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Vinyl vs. CD - A Running Commentary - Parts 6 - 9
Written by John E. Johnson, Jr.   
Friday, 02 October 2009 00:00
vinyl-vs-cd-10-khz-sine-wave-16-44---16-96---16-192---24-44---24-96---24-192-TEASER

When attending CES and Rocky Mountain Audio Fest over the past couple of years, I noticed that turntables are starting to be the majority of sources for exhibit rooms. We all have heard about the vinyl renaissance, but I just did not realize how strong it is. I mean, LPs are being played everywhere at hi-fi shows. So, we decided to compare Vinyl LPs to CDs in terms of the recording process, manufacturing, and the sound. Parts 1-5 (Part I: Introduction, Part 2: The Technology, Part 3: Turntables, Tonearms, and Cartridges, Part 4: The RIAA Curve, and Part 5: Setting up the Turntable) are published in a previous article. Here are Parts 6: In the Groove; Part 7: THD-plus-N Test Results, Part 8: Phono Preamplifiers, and Part 9: A Few Bits About DACs.

Tags: LPs | Vinyl

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Professional Display Calibration: What It Is and What It Means to Your Home Theater Experience
Written by Christian Eberle   
Sunday, 23 November 2008 17:00

display-calibration-teaser.jpg

For the past three years or so, we have seen a tremendous surge in display technology.  During this time, the last rites for the venerable CRT have been read, 50" displays have become the new 32", and 1080p has become the de facto standard for resolution.  One thing hasn’t changed however and that is the need for precise calibration of your HDTV.  Despite tremendous advances in consumer displays, the specifications for color, grayscale, and gamma have not changed since the 1950s.  With all these new features available, it has become more confusing than ever for the typical home theater enthusiast to achieve a correct calibration and realize the best performance from your flat panel or projector HDTV.

Tags: Calibration | Technical Articles

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