Q&A # 60 - April 21, 1998
Staff
Q
I would like to know if mounting a set of rear speakers that are bipolar in front of the listening area would work out alright since in my new home I do not have walls to place them in the rear or on the side. Would inwalls in the ceiling just behind or even with the couch be better?A For bipolar speakers, it
would be best to have walls. Therefore, in your case, get monopolar speakers and put them
to the side of the couch, aiming them at the listening position or slightly towards the
TV. If this does not fit into your room decor, then get ceiling mount speakers. Have a
couple of friends stand (carefully) on a stepladder and hold the speakers at the potential
spot where you plan to mount them, and you sit in the listening position with surround
sound playing. That way you can adjust the position and angle for the best results without
having to actually drill holes in the ceiling until you are satisfied with the position.
Q
What are the the merits and drawbacks of Class D amps? I'm trying to learn more about them and get a sense for how big a trend (if any) they represent.Q
What is the preferred digital input, Toslink or coaxial? Is one sonically better than the other?
A Toslink eliminates the
possibility of ground loop hum through that particular connection. When I have seen the
topic discussed in various places, the general opinions have been either no difference in
sound quality, or a preference for coaxial.
Q
I have a Yamaha 2092 receiver. I am interested in purchasing the new Yamaha DVD player that is capable of playing DTS DVDs (i.e., S-700). In order to play DTS, what will I have to do with the receiver? How much would I have to spend on a decoder or an upgrade module if I require one? Finally, if these upgrades will be costly would I be better off selling my 2092 and getting a receiver that is compatible with DD and DTS?Q
A few questions regarding amps and preamps:1. Relative to the musical sound produced by loudspeakers, some have suggested that it is the amplifier that has a significantly greater influence as compared to the preamp on the final audio product that is audible. Is this so?
2. Regarding Pro Logic and Dolby Digital, some have suggested that because the chips that govern these processes are at such an advanced level of technological development, the HT sound quality in these domains is so high that comparing, for example, a $400 Teac DD receiver and a high-end DD processor will yield negligible differences, certainly not reflective of the hundreds/thousands of dollars in price difference. Add a decent power amp to the Teac DD receiver and the differences become even more minute. What do you think?
3. I am considering purchasing a Rotel RTC-970 preamp
processor. In reviewing their manual, I read that in all HT modes the tone controls are
defeated and not amenable to be "turned on." I really like the sound of this
preamp in stereo but am concerned that not having the ability to manipulate the tone
controls will limit corrections for any room anamolies when playing movies or even
surround CDs. Are these limitations typical?
A Preamplifiers and power amplifiers have equal effect on the sound
quality. However, it is much more expensive to build a good power amplifier than it is to
build a good preamplifier, the reason being that a preamplifier does not require such a
big power supply to be good. There are some preamplifiers with big power supplies, and
they are expensive.
The differences between a $1,000 DD receiver and a $5,000 DD processor/preamplifier are, indeed, not very large. The reasons for this are several. One is that the receiver is built in huge numbers, making it a good value. The high performance processors are made in very small numbers, and this increases the ultimate cost. If the high performance processors could be sold in the same numbers as the mass market receivers, they would cost $2,000 instead of $5,000. However, the $5,000 item still is noticeably better than the mass market receiver and is worth the price to many enthusiasts.
Receivers in general have the tone controls only for the
front left and right channels, so that is all you are losing with the home theater modes.
Secondly, tone controls alter phase relationships which can mess up Pro Logic decoding if
the tone manipulation occurs before decoding. The best way around this is to use a good
home theater equalizer like the Audio Control Rialto or Bijou. You need an outboard power
amplifier for this, and you put the EQ between the pre-outs of the receiver or
preamp/processor and the power amplifier.
Q
When I connect a receiver with another preamp for music listening and home theater watching according to your method, which one will have the master volume control? The receiver or the other preamp? It seems to me that the preamp will have the master volume control, but if this is the case, then how to adjust the volume to match front left righ to the others?Q
I have a Pioneer DVL 700. I now understand that a newer model is available, DVL 909. Do you know the differences in performance, etc., and can I get an upgrade? Also, the DVD " Fleetwood Mac, The Dance" totally refuses to play on the DVL 700. I am curious if you know why.Q
I have a 52" rear projection TV. What is your opinion of protective screens, both smoked & clear? My dilemma comes from the question, Off or On? Obviously the calibration (ISF) will be different depending on whether the screen is in place or not. The screen (smoked) appears to increase contrast and color saturation, but renders whites somewhat brown and therefore has to be affecting colors as well. The other drawback is of course reflectivity during ambient daylight viewing. I realize that it is somewhat subjective as to whether or not to use it, and I do not require it for protection in that I have no children running around with crayons, etc. It is an option that happened to come with the set and is easily removable. I have read nothing re: this question, and even the ISF people do not have a definitive answer. HELP Please!
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