Go to Home Page

Go to Index for All Q&A

 

Q&A # 348 - May 10, 2003
 

Staff

 

Q I have an older CD player and lost the remote. I don't want to spend $30 on a universal remote for this player. What should I do?

A A company called All Electronics Corporation (http://www.allelectronics.com) has basic remotes for old components like that, for about $2 each.

T

Q In your recent review of the Silverline Audio Sonata speakers, you mentioned something about the narrow soundstage of these speakers being similar to line source speakers. Can you elaborate on this?

A Depending on the diameter of a driver, it will do something called "beaming", which means that the sound will decrease as you move off axis. As the diameter of the driver increases, the frequency at which the sound is down by 3 dB at 450 from the main axis decreases. Above this frequency, the sound is progressively more decreased at 450 (in other words, more than 3 dB down). So, as the driver size increases, but keeping the frequencies coming from the drivers the same, more and more of the sound coming from that driver is beamed. With line source speakers, i.e., ribbons, electrostatics, and planar magnetics, the width of the driver tends to be larger than a conventional tweeter or midrange, and thus, the falloff at angles to the main axis is more pronounced, and the speakers, therefore, tend to beam more. The beaming restricts the width of the soundstage. Because the Sonatas had significant amounts of the high frequency sound coming from the larger drivers, this made a larger part of the spectrum beam, and reduced the width of the soundstage.

T

Q I'm very interested in buying an HDTV. My question is, if a digital TV is listed as 1080i, does it decode 720p or just 1080i? I can only get high def cable because I live in an apartment, and wanted to know if TV digital boxes can receive all digital formats, e.g., 720p and 1080i.

A First of all, there are 18 ATSC digital TV formats, including a digital version of our regular NTSC format of 480i. The high definition digital formats are defined as 1080i and 720p, and are 2 of those 18 formats. The rest are just part of the digital format library. If a high def TV is advertised as 1080i, it probably will not show 720p in its native format, but rather, 720p gets scaled to 1080i. In fact, all formats coming into that TV are likely scaled to 1080i. Unfortunately, this can look terrible when the incoming format is 480i. What you want from the salesperson is a direct answer to the question, "Does this TV display 720p in its native format, or is 720p scaled to some other format such as 1080i?" The cable box receives all the formats, but may scale them to something else, depending on the box design and the settings you configure it with.

T

Q With the upturn in the economy, I'm once again thinking of adding some power to my home theater setup. (I'm using an integrated amp to drive my M&K speakers.) I was considering buying a used Sunfire amp (about $1300 on Audiogon) but then read your review of the Outlaw 200 monoblocks (200 watts for $299). Any suggestions or recommendations on these two approaches?

A There are several versions of the Sunfire Cinema Grand, one with 200 watts x 5 and a Signature version with 405 watts x 5. If it is the Signature, then you have a good deal at hand. If not, I would probably just get the Outlaw 200s. As always though, when buying used equipment on the Internet from someone you don't know, buyer beware.

T

Q What is a good spec for component video switching in terms of bandwidth?

A What I would love to see is 200 MHz ± 3 dB, because that would give a flat response to 100 MHz. Unfortunately, that would also be very expensive, and is why I go direct from the source component to my projector with component video, and not through the receiver.

T

Q I've been looking for a good explanation of the differences between digital audio fomats. Specifically, both my DVD player and receiver have options for PCM or Bitstream. I read one article that said bitstream should be used for two-channel analog audio, but this doesn't make sense to me, as the setting is for digital output/input. Could you explain the difference between the two? Is there a preference of one over the other?

A PCM means Pulse Code Modulation, and is the Codec for standard CDs, DTS, and DVD-A. Bitstream is a generic word that means the stream of digital data moving through a circuit. It could be 16/44 PCM, 24/96 PCM, SACD signals, DTS, or DD. Sometimes, on a DVD player, there is a PCM option to set the digital output so that it is no higher than 48 kHz. This allows for older receivers that won't decode high frequency sampling rates like 96 kHz. It may also send just a two-channel PCM stereo digital signal out, regardless of whether the disc has DD or DTS. This way, if your receiver cannot decode DD or DTS, you can still watch your movie through the digital audio connection rather than having to use a set of analog cables from the player to the receiver. If you have a modern DVD player and a modern receiver, use the Bitstream option, as this will be the way to send the DD and DTS digital signals to your receiver for proper decoding into 5.1 audio.

T

Q What is the standard procedure for installing a video projector on a ceiling? How are measurements made to determine the projector's mounting position?

A Installers do this in a variety of ways, including using the specifications for the projector in terms of the lens focal length. There is often a chart as to the distance from the projector to the screen and the resulting image sizes. If you are installing it yourself, you should experiment. Here is one method you might use. Hang a white bedsheet in the approximate place that you want the screen to be, and the size that you want the image to be. Then, put the projector on a small table and move it to the spot that gives you the image size and image centering that you want (I would use the middle of the zoom range if it has a zoom lens, but if you need to use the extreme end of the zoom range, leave a little bit of the range for fine tuning once the screen is installed). Then replace the table with a stepladder in that same spot, and place the projector on the top platform, with the settings of the projector to have an inverted image, and with the projector upside down. Measure the angle of the projector, and level it so that it is horizontal to the screen's axis. Move the projector up or down (towards the ceiling or away from the ceiling, keeping it level) until the image is in the place you want it, with the minimum amount of keystoning. If at all possible, aim the projector straight at the screen rather than down at an angle. This will maximize your ability to focus sharply all the way across the image, and it will also minimize the keystone problem. There is your mounting position. Once mounted, check the size and centering of the image, and order a screen to fit. Obviously, you need to be very careful not to let you or the projector fall off the stepladder. Best to have at least two people to do this project, maybe three.

T

Q How do I decide on a particular interconnect vs. a particular speaker cable?

A Choose interconnects with low capacitance, and speaker cables with low inductance.

© Copyright Secrets of Home Theater & High Fidelity

Go to Home Page

 

Go to DVD Player Benchmark

About Secrets

Register

Go to Primer Introduction

Terms and Conditions of Use