- Written by John E. Johnson, Jr.
- Published on 10 May 2010
Lamm Industries has been a venerable brand name in high end audio for decades. They build each product when it is ordered, so you won't see a bunch of any particular model "in stock" anywhere. Their specialty is tube-based preamplifiers and power amplifiers, with their top-of-the-line power amplifier selling at well over $100,000. The current review focuses on the model LL2.1 stereo preamplifier. At $5,995, it is the most affordable preamplifier in the Lamm product line.
The LL2.1 is an updated version of a previous model. Several new features have been added along with modifications of the basic circuit.
- Written by Jim Milton
- Published on 26 October 2009
In 1997, McCormack Audio was purchased by Conrad-Johnson, known primarily for their fine tube amps and preamps. They have the same high quality and value that Steve McCormack put into his designs in California, but these current products are basically an entirely new line (and are built in Virginia). In this review, we take a look at one of their line-stage preamps, and a stereo (two-channel) power amplifier.
- Written by Chris Groppi
- Published on 02 June 2008
As I said at the beginning of this review, now is a good time to be an audiophile. The Parasound 2100 preamplifier and 2250 power amplifier offer sound quality across the board so good I would have thought you'd have to pay at least $3,000 to get them. But, at a mere $1800, the Parasounds are a steal.
- Written by John E. Johnson, Jr.
- Published on 09 September 2009
Emotiva's new USP-1 stereo preamplifier, at $399, sets a new standard in performance in low priced components. Besides the standard full range outputs, this preamp offers a split output where you can adjust the low-pass frequency for one (which goes to your subwoofer) and the high-pass frequency for the other (which goes to your main power amplifier). This allows you to essentially bi-amplify, and with the low frequencies removed from the high-passed output, your power amplifier will run more efficiantly, not having to waste power on low frequencies that your speakers cannot reproduce. And, they toss in a phono stage that has both MC and MM settings. This may mark the beginning of phono stages being a standard part of stereo preamplifiers, rather than having to purchase an outboard phono stage. Long live LP's! Oh, there's a headphone jack too.
- Written by Piero Gabucci
- Published on 08 November 2007
If I have my Greek mythology correct, Perseus was the slayer of Medusa, the serpent-haired Gorgon monster. Using his sword to view her reflection (because we all know a mere glance directly at her would turn you into stone instantly), he was able to slay her in her sleep.
- Written by Ed Becker
- Published on 09 July 2009
conrad-johnson (lower case c and j) was formed in the mid-seventies, shortly after I became seriously interested in audio gear. I'm sure the two events were entirely unrelated. Their first product, a preamplifier, was immediately recognized as "state of the art," and so their storied history began. I encourage you to visit their website for more details. There, they provide a long list of products that have been reviewed as "Best of Class", and even "Best in the World."
- Written by Rick Schmidt
- Published on 20 February 2009
The Parasound Halo P 7 Preamp is a problem solver. The problem is the gap between home theater systems and hi-end stereo systems. Many home theater buyers are fond of the stereo systems that they already own (and paid big bucks for), those that don't already have a stereo might find that they can afford a lot more two channel gear than 7.1 channel gear and since 90-100% of their music collection is two channel.. well, you get the idea. But unless you are a hifi nut like me, you don't have a room dedicated to the stereo and another dedicated to the home theater.